Artistic Elements In Ekpe Masquerade In Akanu Ohafia
Complete Artistic Elements In Ekpe Masquerade In Akanu Ohafia Project Materials (Chapters 1 to 5):
This project report has been systematically organized to facilitate learning and build life skills, and varied activities are incorporated to make the process enjoyable. It also drew from published works of Art history, African culture and Art methodology, to educate and inform the public on the typical African culture that involves masquerade.
The researcher has also drawn the attention of upcoming researchers to the reawakening of the African art through realism. I hope that this text will be accessed and regarded as achieving my “ aims” at list, to some extent.
Title page:
Certification page:
Acknowledgement:
Abstract:
Table of c content:
CHAPTER ONE
1.0 Intoduction
1.1 Background History of Ekpe Masquerade
1.2 Statement of problem
1.3 Aims and objective
1.4 Limitation of the project
CHAPTER TWO
2. 1 Literature Review
CHAPTER THREE
3.1 Project Execution
3.2 project Development
CHAPTER FOUR
4.1 Project Analysis
CHAPTER FIVE
5.1 Recommendation and Conclusion
5.2 ReferenceS
INTRODUCTION
1.1 BACKGROUND HISTORY OF EKPE
MASQUERADE IN OHAFIA
Ekpe masquerade is a popular masquerade among the Rivers, cross – river and Abia state of the federal republic of Nigeria.
According to the research made on the history of Ekpe masquerade it convincingly provide on specific date on when the Ekpe masquerade tradition started.
Hence the fact that Ekpe masquerade tradition has lasted for thousands of years still masks the topic a crucial one to be studied.
Several researcher conducted recently have proven originator or root of this tradition to be the Efik speaking people of cross river state, usually populated in the capital, calaba.
Nde Ohafia or Ohafia people Assimilated the Igba Ekpe (Ekpe festival) through their migration from Ndoni to Andoni as taught by the Ohafia folklore.
The research traced the origin of Ohafia propel as rebels of Owan, Benin Kingdom in the present Edo state of Nigeria. Their ancestors waged war against the authority they set off to settle in Ndoni. Ndoni is in Delta state while Andoni is in River state From Andoni the journey took through Mben, Isieke, Louur Ibeku, Bende, Ozu Abam and then to where we now call Ohafia.
The history has notified the Nde Ohafia to have assimilated the culture of Igba Ekpe from their host (Andoni).
For many years now, Nde Ohafia has retained the Igba Ekpe or Ekpe festival to mark their Age grade system in their various villages that make up the six autonomous communities are Ama
The village are specifed under their respective
Autonomous communities for a clear understanding
(1) Ama Ukwu Amangwu (capital)
(2) Ania
Abia
Akanu
Amankwu
Isingwu
Ndi Uduam Awoke
The capital is Abia. The name is acronym of the village.
3. EBEM OHA
4. ISIAMA
EBEM (Capital) Amaekpu
Ihenta Elu (the capital of Ohafial as well as
Ndi Amogu Ndi Anyia Orie (Extinct Ndi Okala the capitia of Isama Ndi Nku
Ndi Uduma Ukwu Nkwebi Obro, Okigwe
5. OHAOFIA OHON AKU
Amkue Okon Asaga Eziafor Ndi Ibe Ndi Orieke
The surrounding communities such as Arochukwu, Afikpo, Nkoro, Abirba, Item and Igbere have village with similar names.
The Age groups that celebrate the Igba Ekpe or Ekpe festival among the 25 village are under Listed.
1. Uke Abiriba
2. Uke Mekwaeme
3. Uke Oakome
4. Uke Amasiri
5. Uke Georfe
6. Uke Bianko
7. Uke Amogu
8. Uke Enyi
9. Uke ndenyi
10. Uke London
11. Uke Ozurumba
12. Uke Amekpu
13. Uke Damba
14. Uke
These are but few Age groups in Ohaofia communities.
The introduction of Artistic Elements In Ekpe Masquerade In Akanu Ohafia should start with the relevant background information of the study, clearly define the specific problem that it addresses, outline the main object, discuss the scope and any limitation that may affect the outcome of your findings
Literature Review of Artistic Elements In Ekpe Masquerade In Akanu Ohafia should start with an overview of existing research, theoretical framework and identify any gaps in the existing literature and explain how it will address the gaps
Methodology of Artistic Elements In Ekpe Masquerade In Akanu Ohafia should describe the overall design of your project, detail the methods and tools used to collect data explain the techniques used to analyse the collected data and discuss any ethical issues related to your project
Results should include presentation of findings and interpretation of results
The discussion section of Artistic Elements In Ekpe Masquerade In Akanu Ohafia should Interpret the implications of your findings, address any limitations of your study and discuss the broader implications of your findings
The conclusion of Artistic Elements In Ekpe Masquerade In Akanu Ohafia should include summarize the main results and conclusions of your project, provide recommendations based on your findings and offer any concluding remarks on the project.
References should List all the sources cited in Artistic Elements In Ekpe Masquerade In Akanu Ohafia project by following the required citation style (e.g., APA, MLA, Chicago).
The appendices section should Include any additional materials that support your project (Artistic Elements In Ekpe Masquerade In Akanu Ohafia) but are too detailed for the main chapters such as raw data, detailed calculations etc.